John Chervinsky has been passionately pursuing photography for 20 years. Chervinsky’s background in physics, chemistry, and materials science is evident in his series of conceptual still-lifes. Inspired by predecessors such as John Pfahl, he set out to explore issues of visual perception and photography in his ongoing series, “An Experiment in Perspective.
John Chervinsky
Design, 2003
Archival inkjet print © 2003 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
The Black Box, 2005
Archival inkjet print © 2005 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
All Watched Over, 2006
Archival inkjet print © 2006 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
Providence, 2005
Archival inkjet print © 2005 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
The Gravity of Mars, 2005
Archival inkjet print © 2005 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
Statement by artist: My still lifes are intended to be presented in the manner of a science demonstration or imaginary physics experiment. Chalk marking on blackboards are justaposed with real objects to create tensions between the physical world and the imaginary constructs that we use to define it. To accomplish the illusory effect of the chalk, I point a view camera towards the horizon point of two right-angle chalkboards. Markings are drawn into the three-dimentional field (in forced perspective) such that, from the fixed point of view of the camera, they appear to have depth, or to be floating in space, or on the surface plane of the photograph.
In an effort to engage collaboration with the viewer, the images are conceived symbolically, to form an open-ended framework. While it is my intent that the chalk markings and blackboards place the work into the world of ideas, it is not intended to be instructional. Rather, I see the work as posing questions without easy answers. My intent is not to express a single, narrow perspective, but to among other things, expose the fallacy of doing so.
You can read the artists full statement by visiting
John Chervinsky's website.
A selection of Chervinsky's photography will be on display until July 19th at the Clark Gallery, located in Lincoln, MA. He was also recently featured in a recent exhibition at the Benham Gallery in Seattle.
For information about purchasing prints please contact
the Clark Gallery or the Benham Gallery.
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Design, 2003
Archival inkjet print © 2003 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
The Black Box, 2005
Archival inkjet print © 2005 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
All Watched Over, 2006
Archival inkjet print © 2006 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
Providence, 2005
Archival inkjet print © 2005 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
John Chervinsky
The Gravity of Mars, 2005
Archival inkjet print © 2005 by John Chervinsky
Courtesy of the artist and Benham Gallery, Seattle
Statement by artist: My still lifes are intended to be presented in the manner of a science demonstration or imaginary physics experiment. Chalk marking on blackboards are justaposed with real objects to create tensions between the physical world and the imaginary constructs that we use to define it. To accomplish the illusory effect of the chalk, I point a view camera towards the horizon point of two right-angle chalkboards. Markings are drawn into the three-dimentional field (in forced perspective) such that, from the fixed point of view of the camera, they appear to have depth, or to be floating in space, or on the surface plane of the photograph.
In an effort to engage collaboration with the viewer, the images are conceived symbolically, to form an open-ended framework. While it is my intent that the chalk markings and blackboards place the work into the world of ideas, it is not intended to be instructional. Rather, I see the work as posing questions without easy answers. My intent is not to express a single, narrow perspective, but to among other things, expose the fallacy of doing so.
You can read the artists full statement by visiting
John Chervinsky's website.
A selection of Chervinsky's photography will be on display until July 19th at the Clark Gallery, located in Lincoln, MA. He was also recently featured in a recent exhibition at the Benham Gallery in Seattle.
For information about purchasing prints please contact
the Clark Gallery or the Benham Gallery.
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